Welcome to Mark S. Doss

NEW ALBUM

Welcome to My World

Featuring :
Mark Steven Doss, bass-baritone
Ken Smith, piano
Stas Venglevski, accordion

About Mark Steven Doss

Mark Steven Doss is an internationally acclaimed bass-baritone whose career spans 106 opera roles across the world’s leading houses, including eight major roles at Teatro alla Scala, the Royal Opera House Covent Garden, Vienna State Opera, Lyric Opera of Chicago, and San Francisco Opera.

In recent seasons, Doss has become a sought-after “Jump-In” artist — trusted to enter major productions and concert performances on short notice with complete musical command and dramatic authority.

A Grammy Award winner and internationally recognized recitalist, he continues to perform curated gala and fundraising programs that blend operatic power with cross-genre versatility.

Mr. Doss is the only singer in history to hold all five of the following distinctions: • Verdi Competition First Prize • Metropolitan Opera National Finalist Winner • George London Opera Prize • Planet Africa Entertainment Award • Grammy Award Winner.

He is also a Grand Prize Winner of the Bel Canto Foundation of Chicago, that allowed him to study in Busseto, Italy with the distinguished Italian tenor, Carlo Bergonzi.

Upcoming Engagements

Upcoming

events

Recent Engagements

testimonials

Mark S Doss gave a thrilling Macbeth: his bass-baritone powered relentlessly through the music, showing ease at both ends of the voice, the bottom fruity and the top packing a real punch, while his sense of line was both authoritative and delicate.

Dominic Lowe Bachtrack

With Mark S. Doss, the cast boasts one of the most beautiful voices imaginable for the title role. Charged with innumerable colors and unique harmonic richness, his large, warm, and captivating voice marvelously expresses the eternal weariness of the wandering Dutchman.

Jacques Schmitt ResMusica

Mark S Doss sang Scarpia with pleasing depth of character … His tall, upright figure and measured but striking tone more often hinted at great power rather than trying to dominate the stage through mere volume, and the result was something quite menacing.

Rohan Shotton Bachtrack
Scroll to Top