Ready Within 24-48 hours for principal bass-baritone roles and Parts.
Opera & Oratorio Roles
in Active
Jump-In Readiness
Full Runs
01
Jochanaan
02
Amonasro
03
Alfio
04
Sparafucile
05
Baritone Soloist (Beethoven 9th Sym)
06
Messiah
Jump-In Performance Library
openings • Full runs • Featured EXCERPTS
02
Jochanaan (Salome)
01
Amonasro (Aida)
La Scala • Royal Opera Covent Garden • Vienna State Opera
03
Scarpia (Tosca)
Welsh National Opera • Oper Frankfurt • Boston Lyric Opera • Cleveland Opera
Chief of Police; one of Puccini’s greatest dramatic bass-baritone roles.
06
Holländer (Der fliegende Holländer)
Teatro Regio Turin • Dorset Opera Festival • Teatro Comunale Bologna
The cursed sea captain; iconic Wagner Heldenbariton role that shows spiritual depth, physical endurance and psychological intensity.
04
Alfio (Cavalleria rusticana)
Royal Opera Covent Garden • Teatro Maestranza Seville • Hawaii Opera Theatre • Intermountain Opera
Village carter; quintessential Heldenbariton role combining lyrical warmth with explosive dramatic intensity.
05
Tonio (Pagliacci)
Hawaii Opera Theatre • Intermountain Opera
Deformed Village Clown; powerful Heldenbariton role demanding commanding authority, psychological complexity, and dramatic intensity
08
High Priest of Dagon (Samson et Dalila)
Pittsburgh Opera • Cincinnati Opera
Philistine High Priest; commanding dramatic bass-baritone role requiring authority, vocal power and sinister cynicism.
09
Mefistofele (Boito)
Oper Frankfurt • Baltimore Symphony
The Devil; monumental bass role combining supernatural authority, sardonic wit, and apocalyptic grandeur.
07
Méphisto (Faust – Gounod)
Oper Frankfurt • Santa Fe Opera • Opera Oviedo
The Devil; charismatic bass-baritone role combining elegance, wit, seductive charm, and demonic power.
10
Sparafucile (Rigoletto)
Canadian Opera • San Francisco Opera • New York City Opera • Minnesota Opera •
Professional assassin; iconic Verdi bass role demanding profound vocal resonance, quiet menace, and dramatic intensity.
12
Baritone Soloist (Beethoven 9th Sym)
Houston Symphony • Teatro La Fenice Venice • Baltimore Symphony • La Monnaie Brussels • National Symphony
11
Messiah
Philadelphia Orchestra • Dallas Symphony • Baltimore Symphony • Pittsburgh Symphony • IMF DIY Messiah Chicago
01
Scarpia (Tosca)
02
High Priest (Samson et Dalila)
As the malevolent High Priest, Mr. Doss met the vocal demands wonderfully.
03
Amonasro (Aida)
Mark S. Doss as Amonasro a thrilling stage performer who wastes no opportunity to advance his character and sings with vehemence.
04
Jochanaan (Salome)
Mark S. Doss was a commanding Jochanaan, with ringing top notes.
05
9th Symphony (Beethoven)
Mark S. Doss with his sturdy, hall-filling bass and finely articulated phrasing, was the standout in the quartet.
06
Méphisto (Faust-Gounod)
Mark S. Doss’ Mephistopheles was a monster of cynicism and a demoniacally energetic performer.
07
Mefistofele (Boito)
In total command, Doss raises hell with his raven-‐black voice.
08
Sparafucile/Rigoletto (Verdi)
Mark S. Doss’s honeyed bass voice gave Sparafucile an evilly seductive air.
Full runs
Sparafucile
Messiah
24-Hour Jump-In Readiness
Selected Roles - Maintained and Performance-Ready
- Amonasro
- Scarpia
- Méphisto (Faust)
- Jochanaan
- Alfio
-
Balstrode
- Der Holländer
- Messiah
- Elijah
- High Priest of Dagon
- Zaccaria
- Ramfis
- Sparafucile
- Additional repertoire available upon inquiry
Organize. Strategize. Prioritize. Mobilize. Finalize
What “Jump-In” Means
- Roles maintained in active performance readiness
- Ability to assume rehearsals or performances on short notice
- Minimal preparation required due to sectional memorization system
- Flexibility with staging, language, and conductor interpretation
- Proven reliability in maintaining production continuity
THE CORE 20 JUMP-IN OPERA ROLES
HELDENBARITON / DRAMATIC BARITONE
-
The Dutchman — Wagner :
134 phrases (3 productions) -
Jochanaan — Strauss :
60 phrases (30 performances) -
Amonasro — Verdi :
100 phrases (57 performances) -
Scarpia — Puccini :
209 phrases (27 performances) -
Macbeth — Verdi :
218 phrases (3 performances) -
Balstrode — Britten :
101 phrases (18 performances)
- The Dutchman — Wagner
134 phrases (3 productions)
- Jochanaan — Strauss
60 phrases (30 performances)
- Amonasro — Verdi
100 phrases (57 performances)
- Scarpia — Puccini
209 phrases (27 performances)
- Macbeth — Verdi
218 phrases (3 performances)
- Balstrode — Britten
101 phrases (18 performances)
- Pizarro — Beethoven
(Fidelio)
- Nabucco — Verdi
(recent production; strong branding role)
CHARACTER BARITONE (High-Demand, Dramatic/Comic Mix)
-
Rigoletto — Verdi :
290 phrases (13 performances) -
Germont — Verdi :
65 phrases (20 performances) -
Alfio — Mascagni :
Alfio — Mascagni -
Tonio — Leoncavallo :
(Prologue specialist) -
Four Villains — Offenbach :
(40/60/etc. phrase modules) -
High Priest — Saint-Saëns (Samson et Dalila) :
(Jump-in signature role — 30 hours notice story)
- Rigoletto — Verdi
290 phrases (13 performances)
- Germont — Verdi
65 phrases (20 performances)
- Alfio — Mascagni
22 phrases (13 performances)
- Tonio — Leoncavallo
(Prologue specialist)
- Four Villains — Offenbach
(40/60/etc. phrase modules)
- High Priest — Saint-Saëns (Samson et Dalila)
(Jump-in signature role — 30 hours notice story)
CHARACTER BASS / SERIOUS BASS
-
Méphistophélès — Gounod :
(47 performances) - Zaccaria — Verdi
- Mefistofele --- Boito
- Il Grand Inquisitor — Verdi (Don Carlo)
- Sparafucile — Verdi
-
Ramfis — Verdi :
105 phrases; recent jump-in performance (2025)
- Attila — Verdi
- Mefistofele — Boito
(signature dramatic-bass aura)
- Zaccaria — Verdi
- Méphistophélès — Gounod
(47 performances)
- Philip II — Verdi
- Raimondo — Donizetti (Lucia)
- Il Grand Inquisitor — Verdi (Don Carlo)
- Sparafucile — Verdi
- Ramfis — Verdi
105 phrases; recent jump-in performance (2025)
- Timur — Puccini
- Mustafà — Rossini (L’italiana in Algeri)
Reserve 5 Roles (Quick Review Roles + Two Rising Flagships)
- Don Basilio : Il barbiere di Siviglia (Rossini)
- Thoas : Iphigénie en Tauride (Gluck)
- Leporello : Don Giovanni (Mozart)
- Gérard : Andrea Chénier (Giordano) --Rising Flagship
- Michele : Il tabarro (Puccini) — Rising Flagship
The 10 Oratorio / Symphonic
- Handel : Messiah (“Why do the nations…”)
- Beethoven : Symphony No. 9 (“O Freunde…”; Venice performance from memory)
- Verdi : Messa da Requiem (“Confutatis…”)
- Haydn : The Creation (Roles of Raphael/Adam)
- Mendelssohn : Elijah (“It is enough”)
- Bach : St. John Passion (Bass arias such as “Eilt, eilt…”)
- Bach : Mass in B Minor (Bass arias)
- Stravinsky : Oedipus Rex (Creon / The Messenger)
- Orff : Carmina Burana (Baritone solos including “Estuans interius”)
- Mozart : Requiem in D minor (“Confutatis…” / “Tuba mirum…”)
Daily Conditioning (as discussed)
- Marchesi Chromatic Scale : performed while a weighted hula hoop rotates around the waist, and while turning in a circle
- Short Runs : Vaccaj
- The Dotted Melody : Marchesi
- Custom “Pencil Fall” : Register Shift Exercise
role list
in progress
AVAILABLE FOR IMMEDIATE ENGAGEMENT (24–48 HOURS — SHORT NOTICE)
For urgent inquiries, please contact:
📧 administration@markstevendoss.com
📞 212–851–3438